The winner of the online course is Alleyne Dickens. Congrats!!!!
Hi everyone, 
Today I am thrilled to host author Kris Kennedy, a double Golden Heart finalist and whose novel, THE CONQUEROR will be released by Kensington in May, 2009.
And Kris offers a free online class at Heart through History to one lucky commenter today!
Welcome, Kris. Can you please tell us which genre of romance you write?
I write hot, sweeping historical romances. At present, that means medieval, but I intend to write in other time periods too.
That will be fun, although I am very intrigued by medieval. Can you tell us which manuscripts you have that finaled and in which contests?
I’ve only entered 2 mss in contests since I began writing, but it’s been spread out over many years, due to an almost 4 year break after I had my son (Who knew sleep mattered to creativity? Not the up-all-night-for-a-few-nights-b/c-the-muse-is-hot” tiredness, but the-omg-he’s-up-AGAIN” tiredness. And the unending vigilance of “oh-no-he’s-going-to-kill-himself-if-he-toddles-over-there-save-the-child!” kind-of tiredness. J
Anyhow, the first ms I started entering, WANTING FINIAN started finaling about a year after I started entering it. I had no crititque partners, so was very reliant on the awesome advice I got from judges, as well as craft books. It ended up finagling in every contest it was in, so I took it out of circuit, and me, for the aforementioned three+ years.
Then, in 2007, I started coming out of my bleary-eyed cocoon, and I entered The Kinds of Wanting (now THE CONQUEROR) in the Golden Opportunity contest, finaled, and got a request for first a partial, then a full. After I worked on this like mad, (and it took way, way too long!) I decided to enter both manuscripts in the Golden Heart, which I’d never entered before. Like a strike of lightning. both of them finaled.
Which really doesn’t mean they were both so fabulously much awesomer than anyone else’s stories. In ways, it’s a cr*pshoot, depending on which 5 judges you get, and how they like your particular brand of romance, and maybe how they’re doing that day. An important lesson not just for the contest circuit, but the writing biz, but we’ll get to that later. J
Oh, and the cr*pahoot thing? There’s an upside: it’s also the reason persistence rules the day. J
I’ll remember that on my down days! What do you consider your most prestigious contests and why?
Well, that would have to be the double GH final. It is such an honor to be a finalist, and I don’t even care how much of a cliché that sounds like. LOL It’s just true! I met the most amazing circle of friends as a result, and we continue to be extremely tight and supportive group of women.
Finaling in the GH also opens doors, I think. It doesn’t get you published, but it does get people to look at you. When I sold, I do believe people looked more closely at the manuscripts because they’d finaled.
Which is why I encourage anyone who thinks they have a manuscript ready for an editor, to enter.
I still haven’t been brave enough to enter GH but some Musetrackers have! How do you choose to enter a specific contest?
I think there’s stages.
Stage 1, you’re new, and know nothing (flash image of me 7 years ago). Enter for: Feedback from a wider world than your chapter mates and/or critique partners. Enter for suggestions on how to make all those craft-related strategies apply specifically to your story. So things like, “don’t do info dumps” or “switching POV mid-scene is confusing” have relevance.
Stage 2, you’re getting better. Enter for: To check in on how the wider world sees your work, but mostly, work with cps. Hone your craft.
Stage 3: You’ve nailed the craft stuff and are working on developing and expanding your Voice. You may now be breaking rules & that’s okay, because you’ve learned them already. Cp’s love your work, you’re finaling in contests. Enter for: Upon a time, I’d have said enter for the final round judges.
Now, I think that if you keep finaling, or if you’re getting consistently high and low scores—i.e. across the map scores—skip contests and start sending it to agents.
Check how many requests come from contests. Check how many sales appear to be generated as a result. Few. Very few.
You’re better of querying agents, using your time and money to build networking and relationships and websites.
Just my 2 cents. J And I’m a big fan of contests: I help run one! J
I really like your 3 stage approach. I wish I had known that when I started entering contests last year. What do you think are the advantages of entering contest?
Contests are absolutely fabulous when you’re starting out, when you’re learning some basics of the craft, and if you don’t have critique partners. Or, even if you do have CPs, but want some more varied, & anonymous, opinions.
I’ve learned so much from entering contests, especially early on. I remember my first contest judge’s feedback—poor thing, to have to wade through my ms! J – and she told me about point-of-view. I was shocked and excited about the novel concept, and wow, it really changed my writing. LOL
So, I think contests serve an almost invaluable niche for newer writers, or people needing/wanting a fresh read on a manuscript.
Their limitation is: 1) you rarely get published as a result. Seriously, if you start finagling in lots of contests, stop entering them. Go finish the rest of the book to the same high standards and start sending it out to agents. And 2) You can get rule-bound as a result of too many contests. When you’re starting out, you need to learn the rules. As you get better, you need to start breaking them. J Or at least, appying them in an intuitive way, knowing when they serve the story, or when you need to break them. “Story’ has to be the final guideline.
I think it’s the first time I hear someone express so well the whole conundrums of rules. Thank you for this wise take on this. How to you cope with negative feedback or really low score if any?
I have been blessed with diligent judges. They may have had harsh feedback, but they always said where and why the problem was a problem, and therefore, I could focus on improving.
But I think you have to see it as a truth of this biz: it’s subjective. Get used to it. LOL
Oh, and honestly, the element that scores low, well, chances are, it really does need revisions. Yes, maybe the judge didn’t ‘get it.’ Or…maybe you need to revise.
Or, not. J
Thus the brutal beauty of the subjective world of . . living. And writing.
I think some of this answer depends on why you’re writing. You have to love revising, and you have to love the CRAFTSMANSHIP of writing more than you love your ego, or feeling good. Otherwise, you’re not going to get better. Some people are quite good to begin with, naturally. But even they will not improve unless they see it as a study, as an apprenticeship of sorts. It is a craft; it must be learned and honed and practiced.
Speaking of craft, what are the main writing points that you check to ensure your entry is the best ?
Well, one important thing to do is look at the scoresheet, b/c that’s how they’ll be judging your entry.
Unless you have a certain amount of knowledge, there are things you just won’t be able to do just yet. But that’s the reason to enter contests and get better.
If I had to give one suggestion to ensure an entry is ready for a contest or an editor: pick up the pace. Move things along. If you find yourself explaining something, cut it. If you find yourself mentioning the reason WHY something is happening in the first page, cut it.
Almost guaranteed, for almost every entry, it will improve your chances, b/c it will engage the reader.
I’ll remember that. Can you give us your overall opinion on writing contests?
Like most things, they are great until they’re not. LOL Used wisely, contests are an invaluable additional aid for writers to improve their craft. But if someone overuses contests, or uses them but dismisses the feedback when it what she wanted to hear, well, that’s probability just a waste of money.
I pretty much believe in the parameters I mentioned above: if you’re new, if you don’t have CPs, and/or if you want to test out a new manuscript on new readers, enter a contest. The anonymity, the scoresheets, and the wide variety of potential judges make it incredibly useful.
What is the best think that happened to you from entering contests?
Finaling the in the GH, without a doubt. It did not sell my books, but it could have. Both of my finaling manuscripts were already with the editor who bought it by the time the contest judging occurred, but all the final rounded judges asked to see more of both mss, so if I hadn’t had my agent shopping it by then, it would have got me a lot of editor requests.
But more importantly, the GH was about those astonishing relationships. Especially with the other finalists. It doesn’t always happen, I hear, but the 2008 GH finalists I mentioned before—Pixie Chicks as we have come to call ourselves—are am amazing bunch of women, I’d say they are the biggest fringe benefit I could ever have imagined J And they are selling like crazy, which is great news for readers, because a TON of great debut books will be coming out in 2009 & 2010.
What are the most important things that a writer new to contests should know before they enter?
The biz is subjective. Be ready, and if you can, learn to love it.
Where on the web can people find you if they want to know more about your writing? http://kriskennedy.net
My website, with a newsletter sign-up! Do come join!
http://MamaWriters.com (A blog of romance writing moms, with weekly guest bloggers who run the gamut from Roxanne St. Clair to Julianne MacLean to Allison Brennan and Eloisa James)
http://heartsthroughhistory.com/workshops
I am teaching a 2 week, online workshop in March, called “Powerful Openings: How To Grab ‘Em and Hold ‘Em From Page One.” I would love to see people from here! J I’ll look for Mustrackers at the class–Pop me an email and let me know you came from here, and I’ll be especially gentle. LOL
And ONE COMMENTER today will WIN a free workshop certificate, to take my or any other HHRW workshop in the next 6 months!
I’m also at Facebook. http://www.facebook.com/profile.php?id=1306876142&ref=name#/people/Kris-Kennedy/1306876142
Do you have any writing wisdom to share with new writers?
Okay, well, yes, but it isn’t mine. It’s Calvin Coolidge’s. Darn. Maybe if I were president, I could think of cool things like this to say. J
“Nothing in the world can take the place of Persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and Determination alone are omnipotent.”
Thank you so much for your visit Kris. What wonderful advice for both new writers and seasoned ones.
No, thank-you! I think a blog targeted to new writers is a fabulous thing. I love new writers, and am honored you asked me here to chat today!
Please everyone, don’t forget to leave us a comment and you can win a free online class at Heart through History. Check the line up here: http://heartsthroughhistory.com/workshops
And don’t forget to bookmark your calendar for the release of THE CONQUEROR, Kensington, May 2009.
And speaking of contests, if you have a minute in your busy day, please help make one of 4 aspiring writers dream come true by voting in the AMERICAN TITLE V contest, now in Round 4 at: http://www.romantictimes.com/news_amtitle3.php