Do You Want Your Name In Lights?

Write your first draft with your heart.  Re-write with your head.  ~From the movie Finding Forrester

 

Of course you do!!

Whether we tell ourselves that we want to be published or not is irrelevant. Deep down inside we all want the same thing. Thankfully, there are choices and different paths we can now take to achieve that end goal. I have something for you that will help- a writing contest.

Before you dismiss this because you’re self publishing, or you’re already published in another genre, you better check this out. The Lone Star Writing Contest gives you tangibles that you won’t necessarily find anywhere else. No matter how you decide to publish, an author always needs outside help. I’ve yet to meet a writer that could spot all of their mistakes. For a very small fee, your pages will be read by two published and one non-published judge. If you final, your story will be sent to an agent, an editor, and an e-publisher editor. (Wow- three for the price of one!)

How is this any different? Well, besides providing training for the judges, revamping the score sheet to reflect the writing not “romance” rules, this contest also offers a few bonuses! If you win your category, you will receive a banner for your website, FB etc. This is worth its weight in gold! Free advertising screaming how good you are! If you final, you will receive a seal that you can use in the same way. How cool is that?

Everyone who enters also has a chance to win a 50 page critique by a published author whether they final or not. This is an open playing field where all have the same chance to win. There will be a drawing for each category and the winner’s name will be drawn irregardless of how they placed!

I know I’ll enter this year. Don’t miss the Early Bird Special which ends in a few days!

 

 

Northwest Houston RWA announces The 20th Annual Lone Star Writing Competition.

Along with awesome feedback and a new and improved score sheet, the Lone Star offers a NEW Special Prize!!!

All entrants will be entered into a drawing for a 50 page critique by one of NWHRWA’s published authors. There will be 7 winners, one for each category.

Romantic Suspense: Teri Thackston
Historical: Melinda Porter (Anna Katherine Lanier)
FF&P: Suzan Harden
Inspirational: Carla Rossi
YA: Christie Craig (CC Hunter)
Single Title: PJ Mellor
Contemporary Series: Cheri Jetton

The Lone Star Writing Competition is one of the few contests with two published authors and one unpublished author judging the first round. Finalists will be sent to BOTH an agent and an editor for judging. In addition they will be sent to an e-publishing editor.

EARLY BIRD ENTRY FEE: $5 discount on all entries submitted by midnight May 26, 2012; $15 for NWH members/$20 non-NHW members.

Entry fee: After May 26, 2012 – $20 NWH members; $25 non-NWH members.

Winners will receive a custom made sterling silver pin and a website banner !!!! Finalists will receive a seal to put on their website.

For more information including rules, the score sheet, and entry form, see our new, updated website at www.nwhrwa.com.

Dead Babies In A Suitcase

It’s good to have mysteries. It reminds us that there’s more to the world than just making do and having a bit of fun.- Charles De Lint

Good morning Muse Trackers!

I’ve thought quite a bit about The Artists Way especially since our Link Of The Week brought you to a wonderful tool based on one of the exercises found in that book. The premise is that you are to write three pages (preferably handwritten) every morning. The tool that I found creates a platform for you to do it electronically and store your pages to be retrieved when you need them. I was excited that many of you chose to comment and share your own spin on Morning Pages. Based on that, I thought you might like a spark. Give it a try, who knows what might happen

 

Today I would like to share a story with you. It’s so intriguing and has the bones of a fantastic novel, but it’s real life. Someone once told me that you just can’t make this s*** up- and I believe they’re right. This proves the old saying that truth is stranger than fiction.

Two women made a shocking discovery when they began to clean out their apartment building’s basement. It was full of items left from tenants long gone and forgotten. As they made their way through the piles of stuff, they came across three suitcases obviously left there for decades. The women brushed away years of dust and mildew and flipped the latch on the top two cases. They were empty. Disappointed, they went for the last case on the bottom. No one could have prepared them for what they would find hiding inside the leather luggage.

Stacks of books were neatly set on the left side and on the right side were two doctor’s satchels tightly wedged into the small space. You can imagine their excitement when the books proved to be copies from the 1920s and 30s. Surely, they had found a time capsule from a long ago era. The ladies carefully pulled out both satchels and opened them up. They seemed to be stuffed with newspaper also from that time period. They each took a bundle from the bags and unrolled the ball of paper. One discovered a mummified infant and the other unrolled a fetus about 20 weeks along.

Investigators determined the luggage belonged to Janet M. Barrie who had emigrated to the U.S. from Scotland in the 1920s. She was the home nurse for a Los Angeles dentist and died in 1992. Her belongings had been packed up and stored in the basement- apparently forgotten until these two decided they wanted to clean things up. The cause of death for the babies has not been determined. (I don’t know if the cause of death has ever been determined or not.)

The rest of her belongings did give a slight picture of the women who harbored this grisly secret for so many years. Janet Barrie appeared to have an interest in J.M. Barrie who wrote Peter Pan. There was a copy of the book as well as a membership certificate for the Peter Pan Woodland Club, an upscale resort. They surmise it’s because he was also from Scotland and carried the same initials. They also found postcards from exotic places like Korea and South America sent to Janet bundled together in the case. The mystery deepened when they pulled up a ticket stub from the closing ceremonies of the 1932 Olympics at the L.A. Coliseum

At the time when this article was written, the authorities had tracked down some of Janet Barrie’s relatives living in Canada and were DNA testing the remains of the babies.

 

If this doesn’t get the writer juices going, I don’t know what would! Why did she keep those bodies all those years? Who are those post cards from? Did she meet someone at the Olympics? Is there more of a connection to the author Barrie? Was she a killer? Did she hide them for the dentist? Are they her babies? Why didn’t any of her relatives claim her belongings? Why? Why? Why?

 

What is your take on this story? Who is Janet Barrie?

 

Keep on writing!

Dating Myself- Finding The Joy In Writing Again

Every blade of grass has its Angel that bends over it and whispers, “Grow, grow.”       The Talmud

 

How many of you sit at your computer and stare at a blank screen? Perhaps you have words on said blank screen, but you know it’s total crap.

I would suggest you go on a date with yourself.

Julia Cameron, who is a noted Hollywood screenwriter and director, wrote The Artists Way. It is a gem of a book. I’ve pulled it back off my shelves because I desperately need to do something different if I ever want to get back on track to being creative.

Before I begin with the meat of this article, I’d like you to get to know me a tiny bit so you can see that the writers here at Muse Tracks are the same as all of you struggling to find the road (and stay on it) to being an author.

Well, here goes…

I am a dabbler. I have a closet full of pencil sketches from copies of Leonardo da Vinci’s drawings to pen and ink creations of my own imagination. I have watercolor paintings stacked at my mother’s house I dabble in textile arts and have woven, crosstitched, needlepointed, and even threaded fabrics through my paintings. I love to paint walls and decorate- my house is an ever changing canvas. Photographs clog the memory banks of my computer. Cooking is a total creative outlet for me and travel feeds my soul. Through all of this dabbling, I have learned quite a bit about the arts and am a lover of museums and artists from all walks.

While I’m a dabbler at all those things and have had varying successes at them, I consider them fun endeavors. It really doesn’t matter if I’m any good at them or not. I simply create.

Did you notice something missing?

I never once mentioned writing. I realized this while I was talking to a friend of mine the other day. We were talking about things we enjoyed and writing wasn’t on the list. He questioned me about its absence. I couldn’t answer him during that conversation, but it’s been waddling around in my head like a drunk duck ever since.

The Artists Way is a wonderful book that first and foremost gives us permission to be creative. It empowers us to delve into the fanciful, explore the beauty and remember that we are not whole if we deny this side of our being. (OK- I now officially feel like Earth Mother holding up a peace sign.) However artsy and spiritual this book may sound, the message is one that I believe everyone should hear. Is it fear, guilt, jealousy, or some other force that limits your beliefs in yourself? What causes you to self-sabotage? (My specialty) We have our own unique answers built on our own unique lives. Julia Cameron provides exercises that offer ways to inhibit the roadblocks we throw up for ourselves.

One of my favorites is dating myself. Basically, the advice is to spend time with ourselves nurturing and refilling the well of creativity.  Tomorrow I will attempt to have a date with myself all day. There will be no TV, no computer, no radio, no electronics of any type, no books- just me. The day will be spent in my garden, sitting on my back porch with a pad and paper, and visiting with my friends. I might go to an artist’s shop to wander the aisles or I might drive up to my brother’s lake house and sit on the dock. I will not think about the rest of my life. I want to remember the joy I had when writing was also simply about creating. Somehow it became about editing, publishing, marketing etc. Those issues are important, but are meaningless if it dive bombs the writing. Writing was fun, wasn’t it? It was a wonderful place to get lost in another world with characters who told us a fabulous tale. I want to get back to that.

Do You Want To Make Money? Help Yourself!

 

Write your first draft with your heart.  Re-write with your head.  ~From the movie Finding Forrester

 

 

Do I want to write as a business?

 

This is a question that has plagued my brain for quite awhile. I’m so very lucky because I don’t depend on writing for a viable source of income and that’s a luxury. I recognize that. While I struggle with wondering whether I want to put a passion to work, I’ve learned some very important things that an author should understand if they want to make a go in this industry.

 

The first thing to ask yourself is if you know your genre. I know a lot of you are shaking your head and telling me to start with something a bit more advanced. I’d like to, but too many authors haven’t studied their genre well enough and make basic mistakes that turn off readers. Have you read books written in the same vein as yours? Do they sell well? What aspects of one book make it a better seller than another? Are there things that readers come to expect and love in that genre? Is it in your book? I know we all want to write about the things we love, but let’s face it, if your book is about something that has a very narrowed window of interest, you might have a tough time making it into a viable seller.

 

I started this journey wanting to write a category romantic suspense, but my characters wouldn’t let me keep the story within the confines of a category book. (At the time, I didn’t even know it was called “category” and that it had all those rules attached to it!) I seem to write bigger suspense/thriller types of stories and with the encouragement of many people who read my pages, I started to swing towards all out non-romantic suspense. There was a problem. I didn’t read that type of book.

 

After jumping in and raiding my husband’s book collection, I discovered two things. Those books were awesome and I didn’t want to write one. I liked the stories, but I always found myself wanting more romance infused into the book. I finally came upon writers like Brenda Novak, Roxanne St. Claire, and Allison Brennan who wrote big suspense with a romantic thread running through the stories. I’m also happy to say that they sell quite nicely. Know yourself. Know your market. Do your homework.

 

Not all of you will agree with my next assertion. You need to spend money to make money. Spend some money on a professional editor and for a professional design of your book cover. Begin with your critique partners, have some beta readers give you feedback and then send your work to an editor. It will cost money, but it should be money well spent if you get a reputable editor. Don’t ever, ever, ever rely on just yourself to edit your work. I can almost guarantee that you will not have a polished product.

 

If you want your book to be placed next to a professionally published book and the reader not be able to distinguish any difference between the quality of the two, then find a cover designer. Unless you have a degree in marketing and are a computer genius, you will be able to spot a homemade cover a mile away. I believe this is almost more important in the virtual world of selling than in the real world. All you have to capture their attention right off the bat is that tiny picture showing up on their screen. Spend the money- make it professional. I know an author who put her book up for sale with a cover she put together for little to no money. It wasn’t bad, it was actually quite attractive until you compared it to others professionally done in her genre. Despite that, sales were fair and then she hired a designer and re-published the book with its new cover. Sales soared and she started receiving fan mail. Does a cover make that much difference? YES!!!!!

 

Once there’s a refined, sleek looking product the author needs to publish it. You have two choices at this point. You can hire a company that will do the work for you or you can educate yourself and do it. Most of my friends are doing this part themselves and saving money. If you don’t think this is for you, there are many companies willing to take your money. Some are quite reasonable and others will charge you a huge amount. It’s just like anything else. Do your homework and research the options. I’m of a mind that if you can figure it out, then give it a try.

 

This is the beginning of the business part. Are you still with me? Are you scared? Are you excited? The next two weeks will be spent talking about marketing, looking at actual authors’ numbers, and can you truy make a living doing this?

 

** Spoiler Alert** Yes, you can! It takes research, trial and error, and a whole lotta chutzpa. 

Talk Back: Do You Ever Break Writing Rules?

By Marie-Claude Bourque

Hi writers and friends,

I hope you are all busy writing, revising, submitting, signing contracts and enjoying book tours and writers conferences.

I apologize for having been away so much. I am almost finished with my Masters in Teaching and have spent the few spare time I have polishing my pile of manuscripts to be able to start submitting material this summer.

I had an interesting conversation recently with a Facebook writer friend who told me he loved how I wrote my love scenes. He pointed that he was surprised that I had chosen to break the “one POV per scene” rule just for my love scenes and he wondered whether I did this by accident or if it was a conscious choice.

It was a conscious choice.

I do break rules.

Not too many, because as a beginning writer, I tend to stay within safe boundaries, but in this occasion, I decided that showing both my hero and heroine POV while they were intimate would be the best way to keep the reader deep in the story.

How about you? Do you break rules? I will frankly tell you that I actually don’t know all the rules. I may break them at times without knowing. Do you do that too? Or are all your rule breaking deliberate? Any examples you could share with us?

I’m dying to hear how you Musetrackers think about your craft.

Much love,
Marie-Claude xoxox

Location:Seattle

The fantasy writing motivation calendar

I’m really grateful that I treated myself to a Tony Mauro wall calendar again this year.

This is my third. On it, I record my word count or editing time, along with writing milestones such as finish editing a chapter or finish writing the first draft of a novel.

I’ve kept all my calendars and now after two years, they stand as an easy record of my writing progress. They are really useful to check at the end of the year in order to see exactly what I have done (or not).

And since I write paranormal, I found Tony Mauro’s work really inspiring since he designs the best paranormal romance cover such as Anya Bast and Yasmine Galenorn’s work.

I just love looking at it, be inspired and see my progress.

STAY AWESOME,
M-C xoxox

(image: Tony Mauro)

Let the dialog speak.

I LOVE dialog. No really, really, love it.

I think most readers feel the same. It says so much, so easily, about who your character is, what they believe, what they feel and what their faults are. Dialog is moving and touching and scary and brilliant. Let it speak for your characters, after all, it IS their voice you’re going for right?

This is one of my all time favs. If you haven’t seen Tombstone, I suggest you do so. (Warning – It’s addictive.)

Wyatt Earp is fighting, none too successfully, an attraction to a woman who lives outside what was considered decent for women of that time.

Josephine: I’m a woman, I like men. If that means I’m not “lady-like”, then I guess I’m just not a lady! At least I’m honest.
Wyatt Earp: You’re different. No arguin’ that. But you’re a lady alright. I’d take my oath on it. 

TWO lines. That’s it. TWO lines and I know so much about these people it’s almost ridiculous.

Here’s another, and I hope Stephanie Perkins doesn’t mind me using her novel Anna and the French Kiss as an example. It’s a brilliant read with one of the best character voices I’ve heard in a long time.

St. Clair: “Definitely not.” He laughs. “Second lesson, the words on the chalkboard. Listen carefully and repeat after me. Granola.” I narrow my eyes as he widens his in mock innocence. “Means ‘granola’, you see. And this one? Yaourt?”

Anna: “Gee, I dunno. Yogurt?”

See! So much can be gleaned about a character from simple sentences of dialog. I  know they both have a sarcastic, witty personality. I know she’s somewhat outspoken and that he’s a flirt. This one gets SO much better. It’s a must read, btw. I read it in an evening.

Okay, I won’t beat this one to death, but it’s pretty important. I know we’ve all seen it. What could have been said with dialog, instead is written out for us. Can you see it? He’s being sarcastic, of course, so I search for a witty response. As if I can’t figure out the simple translation…

We tend to over-explain, whether by author intrusion or internal thoughts. When in doubt, let your characters speak it out. It’ll keep the pace humming and let your readers get to know so much about them and connect on a personal level.

Candi

How To Write Good

Song of the Day: Hey Man, Nice Shot by Filter

How to Write Good

By Frank L. Visco

My several years in the word game have learnt me several rules:

1. Avoid Alliteration. Always.
2. Prepositions are not words to end sentences with.
3. Avoid clichés like the plague. (They’re old hat.)
4. Employ the vernacular.
5. Eschew ampersands & abbreviations, etc.
6. Parenthetical remarks (however relevant) are unnecessary.
7. It is wrong to ever split an infinitive.
8. Contractions aren’t necessary.
9. Foreign words and phrases are not apropos.
10. One should never generalize.
11. Eliminate quotations. As Ralph Waldo Emerson once said: “I hate quotations. Tell me what you know.”
12. Comparisons are as bad as clichés.
13. Don’t be redundant, don’t use more words than necessary; it’s highly superfluous.
14. Profanity sucks.
15. Be more or less specific.
16. Understatement is always best.
17. Exaggeration is a billion times worse than understatement.
18. One-word sentences? Eliminate.
19. Analogies in writing are like feathers on a snake.
20. The passive voice is to be avoided.
21. Go around the barn at high noon to avoid colloquialisms.
22. Even if a mixed metaphor sings, it should be derailed.
23. Who needs rhetorical questions?

 

Okay, show of hands. Who read through this list and realized they were guilty of one, two, or all of these infractions? Come on, I know I’m not the only one. Although this is a tongue in cheek (cliché!) list, there is a lesson here. (Parenthetical remark! One-word sentence! Egads, does it ever end? Oops, profanity & a rhetorical question.) Rules are meant to be broken. Well, maybe not always. Spending 24 hours in the city jail may have you rethinking that philosophy. However, when used appropriately a writer can break, bend, stretch, and reshape these rules and the many other “unwritten” rules and still write a powerful, effective, emotional piece of fiction. The key is to know the rules and understand why they are not to be tampered with. (Preposition.) Once you master them, then you will know how to effectually shatter them for your own gains.

I want to thank a special friend, William Simon for sending this to me. Gracias!

So, which of these crimes are you guilty of committing? Let me hear from you.

Just another manic Monday…

The brilliance of what we do, as writers, is that we don’t have to play by the rules.

Well sort of.

We get to make it all up as we go. We get to change the balances of power, reinvent obstacles, and pretty much make the people in our lives (books) suffer in ways we can only PRAY doesn’t come around as bad juju, or Karma, and bite us where the sun don’t shine.

If only we could control real life so eloquently.

Ah, beach, hot sun, cabana boy with a drink in hand… I digress.

I realized recently, that I was projecting my own stresses – into my writing!

It hit me when I was editing. I LOVE my current WIP. The character is so much fun. He’s smart and savvy and fifteen, so everything about him screams hormones, mistakes and rebellion.

He’s so achingly confused and determined and scared and, and, and… political?!?

Yeah, that’s the same reaction I had while editing. My character, Arlin, actually had a 1 1/2 page internal with himself about the policies surrounding the ranking system in his government.

Um, yeah. Note to self… no writing after reading political drivel. E-V-E-R!

Here’s where we have to be careful not to project ourselves in our characters. I know I resemble the Tasmanian devil at times when the politicians are up to no good, but Arlin doesn’t. Whether I agree with something, my character has to have his own opinion and I have to give him that voice. His own voice.

We’re the same as our characters, but entirely different – and that’s how it’s supposed to be!

The Magic of Storytelling with Ruth A. Casie

Today on MuseTracks, we welcome Ruth A. Casie. I met this wonderful, spunky little lady at the Romance Writer’s of America’s national conference in New York City this past summer. I must say, we hit it off well. Seems saucy women stick together. She is a fellow Carina Press author with her new historical time travel Knights of Runes released earlier this month. Take a peek at her yummy cover!

Without further ado, I present Ruth.

The Magic of Storytelling

Stories are an important part of our society and culture. We find stories in the books we read, movies we watch, painting we study, music we listen to, even in the news of the day and the liturgy of our religion. You can see its impact on the people in every culture whether being listened to or told and even re-told. Storytellers have shaped our society and our ways of thinking. Their stories are used to entertain, teach, and pass on knowledge and wisdom. Stories define our values, desires, dreams, as well as our prejudices and hatreds.

No one knows when story telling began. All we know is that it is an ancient well respected art and played an important part is society. We can only guess what promoted the first story. Perhaps a hunter came back from the hunt and told of his heroic deeds or was it to explain why he came back from the hunt empty handed? Did a mother try to calm a child’s fears or doubts? Did a Shaman or tribal leader tell of an important event? The storyteller held an important position in these early societies. They were typically the priest, judge or ruler. People found their stories interesting and listened to them. Storytelling days were considered important.

Before man learned to write, he had to rely on his memory to learn anything. For this he had to be a good listener. With the importance of the story established, the listeners paid close attention. These stories were not only told amongst themselves but, when people traveled they shared their stories with others in faraway lands when they traveled. And when they returned home, they brought back exciting new stories of exotic places and people.

The oldest surviving story is believed to be the epic tale of Gilgamesh. This story tells of the deeds of the famous Sumerian king. The earliest known record of storytelling was found in the Egypt. Cheops’ scribes recorded the stories told by Cheops’ sons who told their father stories to entertain him.

There are all kinds of stories myths, legends, fairy tales, trickster stories, fables, ghost tales, hero stories, and epic adventures, and that over time these stories were told, and retold. Passed down from one generation to the next, these stories reflect the wisdom and knowledge of early people. Stories were often used to explain the supernatural or unexplainable, confusing events and disasters. It was common for people to believe in the stories of gods that bound them to a common heritage and belief.

Most historians and psychologists believe that storytelling is one of the many things that define and bind our humanity. Humans are perhaps the only animals that create and tell stories.

Tell me your favorite story in a comment and your email address here and one person will be randomly selected to win a $5 Amazon gift card.

Winner of the $5 Amazon gift card: Christie Craig

Ruth’s Bio

For twenty-five years she’s been writing for corporate America. Encouraged by her family and friends this ballroom dancing, Sudoku playing, aspiring gourmet cook has given way to her inner muse. She’s let her creative juices flow and started writing a series of historical time travel romance stories. Her debut novel, Knight of Runes published by Carina Press is now available. She hopes you read her stories and that they become your favorite adventures.

Recent Reviews:

The characters are strong, vibrant, true to their nature, and albeit very heroic.  The author, Ruth A. Casie, weaves an exciting and beautifully told legendary tale that is both rich and engaging.  It is full of, ‘on the edge of your seat’ suspense, mind-boggling drama and a forever-after romance. Ms. Casie’s sparkling new novel, KNIGHT OF RUNES is a winner! ~ Romance Junkies – 5 Blue Ribbons

I totally enjoyed this time travel romance. I actually felt like I was Rebeka immersed in her adventure. I found this book well written, warmhearted and believable. I loved the use of runes, magic and ancient Druids as part of her plot. The romance was heartfelt and not overly mushy. ~ Bookloons – 3 Books

Knight of Runes

It’s the 21st century and time travel is still a Wellsian fantasy but not for Rebeka Tyler. While on an impromptu tour of Avebury, she takes a misstep at the standing stones, and finds herself in the right place but tossed back into the 17th century. When Lord Arik, a druid knight, finds Rebeka wandering his lands without protection, he swears to keep her safe. But Rebeka can take care of herself. When Arik sees her clash with a group of attackers using a strange fighting style he is intrigued.

Rebeka is desperate to return to her time. She poses as a scholar sent by the king to help find out what’s killing Arik’s land to get access to the library. But as she decodes the ancient runes that are the key to solving his mystery and sending her home, she finds herself drawn to the charismatic and powerful Arik.

As Arik and Rebeka fall in love, someone in Arik’s household schemes to keep them apart and a dark druid with a grudge prepares his revenge. To defeat him, Arik and Rebeka must combine their skills. Soon Rebeka will have to decide whether to return to the future or trust Arik with the secret of her time travel and her heart.